Commune Editions began with Bay Area friendships formed in struggle: the occupations in resistance to UC tuition hikes in 2009-11; the anti-police uprisings after the shooting of Oscar Grant that continued with the deaths of Mike Brown and Eric Garner; and the local version of Occupy, referred to by some as the Oakland Commune. In these moments, the people committed to poetry and the people committed to militant political antagonism came to be more and more entangled, turned out to be the same people. This felt transformative to us, strange and beautiful. A provisionally new strain of poetry has begun to emerge from this entanglement with communist and anarchist organizing, theorizing, and struggle.
This work inspires us. Because there was no existing venue attuned to these changes, we decided to start one. We committed first our own work to this project, and brought our experience with other presses. We hope to publish poetry for reading and writing explicitly against the given world, always aware that it begins inside that world—and to put this work in dialogue with poetries from other countries and from other historical moments, times and places where the politicization of poetry and the participation of poets in uprisings large and small was and remains a convention.
We are curious about, but not overconfident regarding, the capacities of art. Poems are no replacement for concrete forms of political action. But poetry can be a companion to these activities, as the “Riot Dog” of Athens was a companion in streets. A dog, too, might start barking when the cops are about to kick down your door. Perhaps that’s it, for now, what we’re doing, what is to be done, with poetry. Some barking. Some letting you know that the cops are at the door. They’ve been there for a while.
Commune Editions is published in partnership with AK Press and distributed in the US and Canada by Consortium.
Press/Media contact: [email protected]
Bookseller/Librarian/Educator contact: AK Press at [email protected] or 510.208.1700.
Editors: Jasper Bernes, Joshua Clover, and Juliana Spahr
